This past weekend, a progressive female Facebook friend posted an article on SA’s black mayor, Ivy Taylor, and blasted her with, “I really can’t stand her. At all.” The article was titled, “Mayor Taylor says political correctness is ‘frustrating.’”
You can imagine my surprise at my friend’s antipathy toward our mayor because I thought progressive females would be highly partial toward a female who was the city’s first black mayor. After reading the article, however, I understood her displeasure. Namely, Mayor Taylor, when serving on the City Council last year, had voted against a gay-rights ordinance, which was one of my friend’s pet issues. (Her kids’ father has become a woman, and she fully supports him.)
In the article, Mayor Taylor defended (inarticulately, according to the article) her opposition to the ordinance and talked of abhorring political correctness. I have often taken a similar position in this blog re: political correctness in a wide assortment of contexts, and I was thinking of collecting them for a single post, but as I was doing some research, I stumbled on a new example in the NY Times today.
The paper’s media critic, David Carr, complained in an article headlined, “Why the Oscars omission of ‘Selma’ matters.” I initially was confused by the headline because I thought Selma had been nominated, but as I read the article I learned that Carr was upset because, although Selma had been nominated, the lead actor and director hadn’t. Carr then proceeded to criticize these omissions, not based on their merits, but rather because:
- “But yes, it still matters. The news continues to be full of all manner of pathology and victimization involving black Americans, and when a moment comes to celebrate both a historical giant and a pure creative achievement, it merits significant and broad recognition.”
According to Carr, it wasn’t enough that a black film – Twelve Years a Slave – won Best Movie last year. Unless the Academy continues to recognize black films, it will appear that it is merely “ticking off boxes.” Under that rationale, America will need to follow up President Obama’s election with another black president just to show it wasn’t merely ticking off a box.
Carr’s comment that most agitated me was as follows:
- “And no club in the United States — over the last several years, the academy has been around 93 percent white, 76 percent male and an average of 63 years old — is in more need of new blood than Hollywood.”
That reminds me of the current efforts of Jesse Jackson and Al Sharpton to force “diversity” into the Silicon Valley. According to them, the tech industry will be vastly improved if it had fewer whites and Asians, and more women, Hispanics, and African-Americans.
But when you consider which industries in America are vibrant world leaders, the first that come to mind are the movie industry and technology. I suggest that those are the last places we want to see increased progressive-government meddling.